Home Reviews C.S.S.M.E. Viktor Vaughn - VV2: Venomous Villain

True To The Game might just as well serve as a good example on teamwork and mentoring. The compilation is a collaborative between Stadium Entertainment Corp, a new music and entertainment founded by a trio of music industry vets, and the Negro Leagues Baseball Museum, a non-profit organization which stands to receive part of the proceeds from this project. True The Game will "feature combining the talents of successful and prominent recording artists with new talent." Indeed, indeed. February 2009!

Read more...

Team Login



Loading...

Who's Online

We have 24 guests online
Content View Hits : 1073631

Poll

Who's the leader of the new school of emceeing?
 

Advertisement

Banner
Viktor Vaughn - VV2: Venomous Villain Print E-mail
Thursday, 02 September 2004 01:42

Viktor Vaughn. Part mad scientist from the future. Part twisted ghetto inhabitant, nefarious stick-up kid, and bizarre b-boy.

Last year brought us Vaudeville Villain, a collaboration between MF Doom and Sound Ink Records. With slick, high-tech beats provided by the likes of King Honey, Heat Sensor and even RJD2, and imaginative rhyming courtesy of Viktor Vaughn (one of MF Doom's numerous aliases), Vaudeville Villain was one of the 2003's best releases. VV2: Venomous Villain is a sequel of sorts, this time in conjunction with Insomniac Records. And instead of being a long player like the original Vaughn album, this release is an EP. With the bar being set to such ridiculous heights by this year's Madvillainy (a joint effort with fellow beatmaker/emcee Madlib), there's lots of excitement for more Vik and his whacky adventures. Unfortunately, what we get isn't quite what we expected.

VV2: Venomous Villain   Record Author(s): Viktor Vaughn
   Record Title: VV2: Venomous Villain
   Record Producer(s): DJ Dub-L, DJ INC, Session 31, DJ System D128, Divinci
   Executive Producer(s): Iz-Real
   Release Date: August 3, 2004

Unique production and a strange but entirely intriguing atmosphere characterized Vaudeville Villain. Hard breaks, programmed synthesizers, almost futuristic loops lent for a fitting, sinister vibe that Viktor Vaughn understood beautifully. Unlike the more traditional Doom and the Geedorah characters, Viktor is a womanizing, take-no-bullshit, pistol toting, mysterious and deranged emcee. And all of this translates into his lyrics, Back End captures Vik's paranoia, where anyone, even the Fed Ex guy, could be part of the FBI, spying on you and trying to cramp your hustle. Because the whole world is out to get you, of course.

When Viktor Vaughn gets on a track, you better run for cover. You want quotables? How about entire tracks full of 'em. Fall Back/Titty Fat is a menacing cut where Vik doesn't really stick to one topic, but dances around from subject to subject

Comments
Add New Search
+/-
Write comment
Name:
Email:
 
Website:
Title:
UBBCode:
[b] [i] [u] [url] [quote] [code] [img] 
 
 
:angry::0:confused::cheer:B):evil::silly::dry::lol::kiss::D:pinch:
:(:shock::X:side::):P:unsure::woohoo::huh::whistle:;):s
:!::?::idea::arrow:
 
Please input the anti-spam code that you can read in the image.

3.26 Copyright (C) 2008 Compojoom.com / Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved."

Last Updated ( Monday, 04 April 2005 03:33 )
 
VALID CSS   |   VALID XHTML