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For Kardi Kardi, third time might just be the charm. Despite two solid albums on his belt, the Torontonian has thus far been overlooked. Now on Akon's label, he's lookin' set to get that mainstream he so deserves. This obligatory preview mixtape with Clinton Sparks (Boston n... don't play!) contains six joints from his upcoming Not 4 Sale album, so this is definitely one to snatch...

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They Call Me Hip Hop: KRS-One Interview Print E-mail
Tuesday, 03 July 2007 08:29

KRS-OneWhat is the agenda of an artist? Be it with music, acting, directing, fashions, you name it, across the board, everything boils down to the impact they are making with their craft. Knowledge Reigns Supreme Over Nearly Everyone, or simply as KRS-One, has arguably been one of the most relevant voices in the history and preservation of Hip Hop culture. Being a part of the culture longer than I've been alive (which is 21 years) and still touring shows his devotion to the music. No, he isn't on MTV on a regular. No, he isn't on the couch with A.J. and Free (or their current incarnations). No, he doesn't have a new single blazing on Hot 97 or the newest P. Cutta mixtape. But, no, he doesn't give a shit.

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American Me: The CL Smooth Interview Print E-mail
Thursday, 26 October 2006 01:00

CL SmoothCL Smooth certainly needs no introduction to true hip-hop fans. Starting in the early 1990s, his collaborations with fellow Mount Vernon, NY native Pete Rock are the stuff of legend. The combination of Pete’s jazz-based samples and CL’s persuasive baritone and timely lyrics, resulted in several masterpieces, including their best remembered song, They Reminisce Over You (T.R.O.Y.). After their working relationship soured, CL left the music business for just over a decade. He returns with the triumphant American Me, 17 tracks of fire, made by a man who understands that he is a part of history, but also has a lot more history to make.

Last Updated ( Friday, 27 October 2006 11:35 )
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The Low End-centric Phife Dawg Interview Print E-mail
Tuesday, 02 May 2006 12:47

Back in the summer of '04, I was supposed to write for this startup underground hip-hop magazine called Resist. I pitched a "look back" article, designed to chronicle the making of a classic rap album. Eventually, we decided on A Tribe Called Quest's brilliant 1991 sophomore album, The Low End Theory. Through my boy Russ's connections, we got in touch with Phife Dawg's manager, DJ Rasta Root, who put me in touch with the man himself.

Most of the questions were Low End Theory-specific. If I had known that the magazine would fold before it started, and that getting to talk to the other two members would be decidedly more problematic, I would've asked more questions. Just as a fan. But as Phife said, you learn from your mistakes. Anyway, here's one-third of my favorite rap group of all time chatting via cell phone from his digs in Oakland. I found Malik Taylor (his given name) to be just as painfully honest and hysterically funny as the MC who let loose on such classic anthems as "Scenario" and "Award Tour." And I felt just as familiar talking with him as someone I had known my entire life.

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